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Netflix Instant Picks 2/1/13—2/7/13 and 2/8/13—
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Netflix Instant Picks 2/1/13—2/7/13 and 2/8/13—
Friday, February 8
Netflix Instant Picks 2/1/13—2/7/13 and 2/8/13—
Since I forgot to link to last week's Netflix picks, I'll just post links for that one and the one that went up this morning.
Netflix picks 2/1/13—2/7/13
Netflix picks 2/8/13—2/14/13
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[This film is being considered for 2011 end-of-year lists.] Like my favorite Chinese genre films, the kung-fu movie Gallants is as much a c...
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Long-lost jazz recordings pique my interest as much as the tease of the most infamous lost films. The frequent airing of Miles Davis' va...
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The Postman Always Rings Twice (Tay Garnett, 1946) On the basis of film noir, were I husband in the '40s, I'd never allow my wife to...
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[Link to previous chapters here ] Let me me briefly summarize how I've gotten through Ulysses to this point. After constantly checking ...
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Howard Hawks' Twentieth Century is so ahead of its time it serves as a precursor to two great types of Hollywood storytelling: the behi...
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Blog Archive
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February
Johnny English Reborn: Imperative Forms
Shelf Life: The Imaginarium of Doctor Parnassus
Netflix Instant Picks 2/15/13—2/21/13
Man of the West (Anthony Mann, 1958)
Something Old, Something New: Déjà Vu / Resident E...
Night Across the Street (Raúl Ruiz, 2013)
Megamind: Adversative Conjunctions
Criminally Underrated: Ghost Rider: Spirit of Veng...
Netflix Instant Picks 2/1/13—2/7/13 and 2/8/13—
Oscar-Nominated Shorts
Trash (Paul Morrissey, 1970)
27 Dresses: Present Perfect
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