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Saturday, December 22
Merry Xmas!
Dear Friends,
I'm having a vacation break now. I wish you all a merry Christmas and a Happy 2013. Brand new posts will come out in mid-January. Thanks for your constant support.
Claudio Azevedo
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The Omen: Inversion after Negation Adverbials
This movie is a remake of the classic The Omen, one of my favorite thrillers of all times. It isn't as good as the original one, but it ...
Black Book
Black Book may be the first Holocaust film to be shot in primary colors. Vibrant reds, blues and yellows fill the screen, and all are prese...
Plastic Bag
How I have managed to elude Ramin Bahrani's short film Plastic Bag for months baffles me. Bahrani, the greatest newcomer to American ci...
Nick & Norah's Infinite Playlist: Should (Advice) x Should Have (Past Regrets)
This is an enjoyable movie. This scene shows a beautiful girl doing humiliating things because of the excess of drinking that night. It is g...
Favorite Directors Blogathon
My blogging buddy Carson Lund recently told me about a meme started by Loren Rosson that highlights a favorite director each month and rank...
First Name: Carmen (Jean-Luc Godard, 1983)
If Passion juxtaposed a largely aimless narrative with another artform, painting, as a means of offering clues to its solution, First Name:...
Possession (Andrzej Zulawski, 1981)
Andrzej Zulawski's Possession does not begin as a horror film, but it certainly feels scary from the start. Mark (Sam Neill) returns af...
Grease: Dangling Modifiers
This a classic with an unforgettable song. It is important that teens learn about the classics, and they usually like experimenting with new...
Poison (Todd Haynes, 1991)
[This is a post for the Queer Film Blogathon, co-hosted by Pussy Goes Grrr and Garbo Laughs .] Todd Haynes' formal experimentation has ...
Carpenter's Tools: Escape from L.A.
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Charles Mingus — Cornell 1964
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Gallants (Derek Kwok & Clement Cheng, 2010)
[This film is being considered for 2011 end-of-year lists.] Like my favorite Chinese genre films, the kung-fu movie Gallants is as much a c...
Robots: Present Continuous
This segment is great for children. Play it from the beginning up to 3'22. Ask your stud ents to watch the segment with attention and d...
Couples Retreat: Have Got (Noun) x Have Got To (Verb)
his movie has very good moments, but it could have been better. I used this scene to contrast the use of GET (followed by nouns or verbs). T...
Twentieth Century (Howard Hawks, 1934)
Howard Hawks' Twentieth Century is so ahead of its time it serves as a precursor to two great types of Hollywood storytelling: the behi...
Crimson Gold
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Capsule Reviews: The Postman Always Rings Twice, The Lost Weekend, Ladies of Leisure
The Postman Always Rings Twice (Tay Garnett, 1946) On the basis of film noir, were I husband in the '40s, I'd never allow my wife to...
Ulysses, Chapter Fourteen: Oxen of the Sun
[Link to previous chapters here ] Let me me briefly summarize how I've gotten through Ulysses to this point. After constantly checking ...
Jane Eyre (Cary Fukunaga, 2011)
Cary Fukunaga displays such an immediate grasp of the Gothic tones of Charlotte Brontë's eerie, macabre romance that the speed with whic...
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2012
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December
The Best FIlms of 2012
The Top 10 Michael Powell (And Emeric Presburger) ...
Capsule Reviews: Girl Walk//All Day, Sound of Nois...
Barbara (Christian Petzold, 2012)
The Color Wheel (Alex Ross Perry, 2012)
Merry Xmas!
Capsule Reviews: End of Watch, Flight, The Hobbit:...
Les Misérables (Tom Hooper, 2012)
Water for Elephants: Possessives ('s), Vocabulary ...
It's Such a Beautiful Day (Don Hertzfeldt, 2012)
Consuming Spirits (Chris Sullivan, 2012)
Cosmopolis (David Cronenberg, 2012)
The Ladykillers (1955) vs. The Ladykillers (2004)
Capsule Reviews: The Deep Blue Sea, Cloud Atlas, R...
Burlesque: Simple Past x Present Perfect
This Is 40 (Judd Apatow, 2012)
Capsule Reviews: The Day He Arrives, Bad 25, The S...
Tabu (Miguel Gomes, 2012)
There's Always Tomorrow (Douglas Sirk, 1956)
Viewing Log: November 2012
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