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Saturday, December 22
Merry Xmas!
Dear Friends,
I'm having a vacation break now. I wish you all a merry Christmas and a Happy 2013. Brand new posts will come out in mid-January. Thanks for your constant support.
Claudio Azevedo
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The Last Bolshevik (Chris Marker, 1992)
In an attempt to expand my knowledge of Chris Marker, whose La jetée and Sans soleil continue to fill my thoughts long after watching them...
The Intruder
Claire Denis' The Intruder takes the director's sensual minimalism to its extremity, carving an entire film out of her tactile, ell...
My Cinematic Alphabet
I've seen this même going around the blogs lately, so I figured I'd give it a shot. Unsurprisingly, picking a favorite for some lett...
Pete Postlethwaite, 1946-2011
Like all mourning film fans, I awoke this morning to the terrible news of Pete Postlethwaite's passing.One of my favorite character acto...
Undefeated (Daniel Lindsay & T.J. Martin, 2012)
Undefeated doesn't reinvent the sports documentary, but it does add depth to the genre with an unyielding focus on the people over the ...
Let Me In
For the foreseeable future, I will be contributing regular pieces for my friend Sasha James' blog The Final Girl Project . Compared to t...
Arbitrage (Nicholas Jarecki, 2012)
To pinpoint the moment Arbitrage ceases to be plausible is to assume it ever established any kind of suspension of disbelief at all. And wh...
Viewing Log: October 2012
Theatrical Screenings Argo : Solid, if uneven, thriller. Affleck both growing and stagnating as a director. The Birds : Second, big-screen v...
House
From the opening title card, featuring the "O" in the film's title turning into a cartoon mouth with pointy teeth, House more...
Bitter Moon
My review for Roman Polanski's seldom-discussed but masterful shaggy dog story, Bitter Moon , is now live at Cinelogue. A foray deep int...
Popular Posts
The Last Bolshevik (Chris Marker, 1992)
In an attempt to expand my knowledge of Chris Marker, whose La jetée and Sans soleil continue to fill my thoughts long after watching them...
The Intruder
Claire Denis' The Intruder takes the director's sensual minimalism to its extremity, carving an entire film out of her tactile, ell...
House
From the opening title card, featuring the "O" in the film's title turning into a cartoon mouth with pointy teeth, House more...
Pete Postlethwaite, 1946-2011
Like all mourning film fans, I awoke this morning to the terrible news of Pete Postlethwaite's passing.One of my favorite character acto...
Bitter Moon
My review for Roman Polanski's seldom-discussed but masterful shaggy dog story, Bitter Moon , is now live at Cinelogue. A foray deep int...
Arbitrage (Nicholas Jarecki, 2012)
To pinpoint the moment Arbitrage ceases to be plausible is to assume it ever established any kind of suspension of disbelief at all. And wh...
Undefeated (Daniel Lindsay & T.J. Martin, 2012)
Undefeated doesn't reinvent the sports documentary, but it does add depth to the genre with an unyielding focus on the people over the ...
My Cinematic Alphabet
I've seen this même going around the blogs lately, so I figured I'd give it a shot. Unsurprisingly, picking a favorite for some lett...
Viewing Log: October 2012
Theatrical Screenings Argo : Solid, if uneven, thriller. Affleck both growing and stagnating as a director. The Birds : Second, big-screen v...
Let Me In
For the foreseeable future, I will be contributing regular pieces for my friend Sasha James' blog The Final Girl Project . Compared to t...
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December
The Best FIlms of 2012
The Top 10 Michael Powell (And Emeric Presburger) ...
Capsule Reviews: Girl Walk//All Day, Sound of Nois...
Barbara (Christian Petzold, 2012)
The Color Wheel (Alex Ross Perry, 2012)
Merry Xmas!
Capsule Reviews: End of Watch, Flight, The Hobbit:...
Les Misérables (Tom Hooper, 2012)
Water for Elephants: Possessives ('s), Vocabulary ...
It's Such a Beautiful Day (Don Hertzfeldt, 2012)
Consuming Spirits (Chris Sullivan, 2012)
Cosmopolis (David Cronenberg, 2012)
The Ladykillers (1955) vs. The Ladykillers (2004)
Capsule Reviews: The Deep Blue Sea, Cloud Atlas, R...
Burlesque: Simple Past x Present Perfect
This Is 40 (Judd Apatow, 2012)
Capsule Reviews: The Day He Arrives, Bad 25, The S...
Tabu (Miguel Gomes, 2012)
There's Always Tomorrow (Douglas Sirk, 1956)
Viewing Log: November 2012
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