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Popular Posts
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This movie is a remake of the classic The Omen, one of my favorite thrillers of all times. It isn't as good as the original one, but it ... -
Black Book may be the first Holocaust film to be shot in primary colors. Vibrant reds, blues and yellows fill the screen, and all are prese... -
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How I have managed to elude Ramin Bahrani's short film Plastic Bag for months baffles me. Bahrani, the greatest newcomer to American ci... -
This is an enjoyable movie. This scene shows a beautiful girl doing humiliating things because of the excess of drinking that night. It is g... -
My blogging buddy Carson Lund recently told me about a meme started by Loren Rosson that highlights a favorite director each month and rank...
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If Passion juxtaposed a largely aimless narrative with another artform, painting, as a means of offering clues to its solution, First Name:... -
Andrzej Zulawski's Possession does not begin as a horror film, but it certainly feels scary from the start. Mark (Sam Neill) returns af... -
This a classic with an unforgettable song. It is important that teens learn about the classics, and they usually like experimenting with new... -
[This is a post for the Queer Film Blogathon, co-hosted by Pussy Goes Grrr and Garbo Laughs .] Todd Haynes' formal experimentation has ... -
[Note: This is a stupefyingly belated entry in my John Carpenter retrospective, which I intended to go all the way through his canon but cou...
Popular Posts
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It cannot be denied that the fight choreography in Gareth Evans' The Raid: Redemption ranks among the finest ever put to film. A showca... -
Long-lost jazz recordings pique my interest as much as the tease of the most infamous lost films. The frequent airing of Miles Davis' va... -
[This film is being considered for 2011 end-of-year lists.] Like my favorite Chinese genre films, the kung-fu movie Gallants is as much a c... -
This segment is great for children. Play it from the beginning up to 3'22. Ask your stud ents to watch the segment with attention and d... -
his movie has very good moments, but it could have been better. I used this scene to contrast the use of GET (followed by nouns or verbs). T... -
Howard Hawks' Twentieth Century is so ahead of its time it serves as a precursor to two great types of Hollywood storytelling: the behi... -
[This post was written for Sheila O'Malley's Iranian film blogathon running Feb. 21-27. I encourage all to participate. More details... -
The Postman Always Rings Twice (Tay Garnett, 1946) On the basis of film noir, were I husband in the '40s, I'd never allow my wife to... -
[Link to previous chapters here ] Let me me briefly summarize how I've gotten through Ulysses to this point. After constantly checking ...
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Cary Fukunaga displays such an immediate grasp of the Gothic tones of Charlotte Brontë's eerie, macabre romance that the speed with whic...