skip to main
|
skip to sidebar
Netflix Instant Picks 2/1/13—2/7/13 and 2/8/13—
online marketing
online marketing
Home
»
Movie Mezzanine
»
Netflix
»
Netflix Instant Picks 2/1/13—2/7/13 and 2/8/13—
Friday, February 8
Netflix Instant Picks 2/1/13—2/7/13 and 2/8/13—
Since I forgot to link to last week's Netflix picks, I'll just post links for that one and the one that went up this morning.
Netflix picks 2/1/13—2/7/13
Netflix picks 2/8/13—2/14/13
Newer Post
Older Post
Home
Popular Posts
The Omen: Inversion after Negation Adverbials
This movie is a remake of the classic The Omen, one of my favorite thrillers of all times. It isn't as good as the original one, but it ...
Black Book
Black Book may be the first Holocaust film to be shot in primary colors. Vibrant reds, blues and yellows fill the screen, and all are prese...
Plastic Bag
How I have managed to elude Ramin Bahrani's short film Plastic Bag for months baffles me. Bahrani, the greatest newcomer to American ci...
Favorite Directors Blogathon
My blogging buddy Carson Lund recently told me about a meme started by Loren Rosson that highlights a favorite director each month and rank...
First Name: Carmen (Jean-Luc Godard, 1983)
If Passion juxtaposed a largely aimless narrative with another artform, painting, as a means of offering clues to its solution, First Name:...
Possession (Andrzej Zulawski, 1981)
Andrzej Zulawski's Possession does not begin as a horror film, but it certainly feels scary from the start. Mark (Sam Neill) returns af...
Poison (Todd Haynes, 1991)
[This is a post for the Queer Film Blogathon, co-hosted by Pussy Goes Grrr and Garbo Laughs .] Todd Haynes' formal experimentation has ...
Nick & Norah's Infinite Playlist: Should (Advice) x Should Have (Past Regrets)
This is an enjoyable movie. This scene shows a beautiful girl doing humiliating things because of the excess of drinking that night. It is g...
Carpenter's Tools: Escape from L.A.
[Note: This is a stupefyingly belated entry in my John Carpenter retrospective, which I intended to go all the way through his canon but cou...
Cars: Comparatives of Adjectives and Nouns
I have said many times that I just love animated movies. Cars was a turning point in animation. The movie is great and this scene is perfect...
Popular Posts
The Raid: Redemption (Gareth Evans, 2012)
It cannot be denied that the fight choreography in Gareth Evans' The Raid: Redemption ranks among the finest ever put to film. A showca...
Charles Mingus — Cornell 1964
Long-lost jazz recordings pique my interest as much as the tease of the most infamous lost films. The frequent airing of Miles Davis' va...
Gallants (Derek Kwok & Clement Cheng, 2010)
[This film is being considered for 2011 end-of-year lists.] Like my favorite Chinese genre films, the kung-fu movie Gallants is as much a c...
Robots: Present Continuous
This segment is great for children. Play it from the beginning up to 3'22. Ask your stud ents to watch the segment with attention and d...
Couples Retreat: Have Got (Noun) x Have Got To (Verb)
his movie has very good moments, but it could have been better. I used this scene to contrast the use of GET (followed by nouns or verbs). T...
Twentieth Century (Howard Hawks, 1934)
Howard Hawks' Twentieth Century is so ahead of its time it serves as a precursor to two great types of Hollywood storytelling: the behi...
Crimson Gold
[This post was written for Sheila O'Malley's Iranian film blogathon running Feb. 21-27. I encourage all to participate. More details...
Capsule Reviews: The Postman Always Rings Twice, The Lost Weekend, Ladies of Leisure
The Postman Always Rings Twice (Tay Garnett, 1946) On the basis of film noir, were I husband in the '40s, I'd never allow my wife to...
Ulysses, Chapter Fourteen: Oxen of the Sun
[Link to previous chapters here ] Let me me briefly summarize how I've gotten through Ulysses to this point. After constantly checking ...
Jane Eyre (Cary Fukunaga, 2011)
Cary Fukunaga displays such an immediate grasp of the Gothic tones of Charlotte Brontë's eerie, macabre romance that the speed with whic...
Blog Archive
▼
2013
▼
February
Johnny English Reborn: Imperative Forms
Shelf Life: The Imaginarium of Doctor Parnassus
Netflix Instant Picks 2/15/13—2/21/13
Man of the West (Anthony Mann, 1958)
Something Old, Something New: Déjà Vu / Resident E...
Night Across the Street (Raúl Ruiz, 2013)
Megamind: Adversative Conjunctions
Criminally Underrated: Ghost Rider: Spirit of Veng...
Netflix Instant Picks 2/1/13—2/7/13 and 2/8/13—
Oscar-Nominated Shorts
Trash (Paul Morrissey, 1970)
27 Dresses: Present Perfect
►
January
►
2012
►
December
►
November
►
October
►
September
►
August
►
July
►
June
►
May
►
April
►
March
►
February
►
January
►
2011
►
December
►
November
►
October
►
September
►
August
►
July
►
June
►
May
►
April
►
March
►
February
►
January
►
2010
►
December
►
November
►
October
►
September
►
August
►
July
►
June
►
May
►
April
►
March
►
February
►
January
►
2009
►
December
►
November
►
October
►
September
►
August
►
July
►
June
►
May
►
April
►
March
►
February
►
January
►
2008
►
December
►
November
►
October
►
September