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The Best Blu-Rays of 2012
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The Best Blu-Rays of 2012
Sunday, January 6
The Best Blu-Rays of 2012
To go with my favorite Criterions of the year, I put up my favorite Blu-Rays of the year over at Movie Mezzanine.
Check 'em out
.
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The Top 10 Roman Polanski Films
Paranoia runs deep under Roman Polanski's work, an obvious feature of a man who has lived under the pressure of social scrutiny since ch...
Gallants (Derek Kwok & Clement Cheng, 2010)
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his movie has very good moments, but it could have been better. I used this scene to contrast the use of GET (followed by nouns or verbs). T...
Ulysses, Chapter Fourteen: Oxen of the Sun
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Jane Eyre (Cary Fukunaga, 2011)
Cary Fukunaga displays such an immediate grasp of the Gothic tones of Charlotte Brontë's eerie, macabre romance that the speed with whic...
Beauty and the Beast (Jean Cocteau, 1946)
Jean Cocteau's La Belle et la Bête is at once deeply fantastical in its fairy tale set design and ethereal cinematography and strikingl...
The Raid: Redemption (Gareth Evans, 2012)
It cannot be denied that the fight choreography in Gareth Evans' The Raid: Redemption ranks among the finest ever put to film. A showca...
Bluebeard
I never could figure out where I stood on Catherine Breillat. Her daring meditations on sex fascinated me, but she always seemed to take it ...
Charles Mingus — Cornell 1964
Long-lost jazz recordings pique my interest as much as the tease of the most infamous lost films. The frequent airing of Miles Davis' va...
Twentieth Century (Howard Hawks, 1934)
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Gallants (Derek Kwok & Clement Cheng, 2010)
[This film is being considered for 2011 end-of-year lists.] Like my favorite Chinese genre films, the kung-fu movie Gallants is as much a c...
Charles Mingus — Cornell 1964
Long-lost jazz recordings pique my interest as much as the tease of the most infamous lost films. The frequent airing of Miles Davis' va...
Capsule Reviews: The Postman Always Rings Twice, The Lost Weekend, Ladies of Leisure
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Ulysses, Chapter Fourteen: Oxen of the Sun
[Link to previous chapters here ] Let me me briefly summarize how I've gotten through Ulysses to this point. After constantly checking ...
Twentieth Century (Howard Hawks, 1934)
Howard Hawks' Twentieth Century is so ahead of its time it serves as a precursor to two great types of Hollywood storytelling: the behi...
Bluebeard
I never could figure out where I stood on Catherine Breillat. Her daring meditations on sex fascinated me, but she always seemed to take it ...
Jane Eyre (Cary Fukunaga, 2011)
Cary Fukunaga displays such an immediate grasp of the Gothic tones of Charlotte Brontë's eerie, macabre romance that the speed with whic...
The Raid: Redemption (Gareth Evans, 2012)
It cannot be denied that the fight choreography in Gareth Evans' The Raid: Redemption ranks among the finest ever put to film. A showca...
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Blog Archive
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2013
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February
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January
Palette Cleansers: Canyon Passage
Yossi (Eytan Fox, 2013)
Netflix Instant Picks 1/25/13—1/31/13
Home on the Range: There + to Be
The Long Day Closes (Terence Davies, 1992)
Something Old, Something New: The End of Evangelio...
Graveyard of Honor (Takashi Miike, 2002)
Something Old, Something New: The Last Temptation ...
My Top 25 Film Discoveries of 2012
Netflix Picks 1/18/13-1/24/13
Planet 51: Passive Voice with Present Perfect
Luv (Sheldon Candis, 2013)
Phantom Lady (Robert Siodmak, 1944)
The Tower (Kim Ji-hoon, 2013)
Netflix Picks 1/11/13-1/17/13
The Baytown Outlaws (Barry Battles, 2012)
Something Old, Something New: Lonesome / Girl Walk...
Overtime (Matt Niehoff and Brian Cunningham, 2011)
The Best Blu-Rays of 2012
Netflix Picks of the Week 1/4/13-1/10/13
Promised Land (Gus Van Sant, 2012)
The Best Criterions of 2012
New Gig: Movie Mezzanine
Blindspots 2013
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